CAST
Detective Lance Bullock –
Callum Prendgast
Tony Slinger/ Maroni Falcone –
Charlie Bell
Bobby Slinger – Reece Mountford
Lisa Statham – Georgia Turner
Ben Woodward - Thug
SCRIPT
Scene 1 – LB’s Intro ET: 35
seconds
*Throughout this scene “I don’t
want to set the world on fire by the ink spots 1941 is playing, almost as an
alarm. There is an establishing shot of a house at night; the only light source
is lampposts in the shot and the shot will fade in from black and will last
about 3 seconds. The shot will then cut to grass blowing in the wind, until
finally a close up of an alarm/radio clock that is the source of the music. A
hand reaches out and smacks it down, this stops the music. The room is dark,
only a portion of light is reaching the room via blinds. A man (whose face you
do not show during this opening scene) sits on the end of his bed rubbing his
face. A narration begins:
Detective LB: “Todays
gonna be a helluva day, Head guy Phillip J House has made sure of that, he’s
been busting my balls about this for a while now, he’s got it out for me I
swear. See he’s got me inspectin’ some kind of college for a Maroni Falcone,
see you wanna hear a funny story? 3 murders, one of them a cop and over 15
assaults and this guy is hiding in a school would’ya imagine? Me personally
*pause* I think it’s a load of crap but like I said; House may be an ass, but
it’s rare he’s wrong. and so that’s where I come in, me, Detective Lance
Bullock, I gots to find this guy, if there even is a guy and take him out. Easier
said than done when hiding in a hoity-toity school, and better yet, word is
that his men already know that we’re catching up and planning this little
undercover shindig, if Maroni really is there, he’s good, but I’m better”
*Throughout this scene there
are different cuts of the detective. One stumbling to the blinds and peeking
out, doing his top buttons up, lighting a cigarette with a match (shisha pens
and vapour) and a shot of the smoke blowing out, and finally a shot of him
doing his tie up and walking out of shot, this shot should be when he says “But I’m
better”
Scene 2 – TS, PS and BS Intro
ET:
The shot then cuts to an EST
shot of the school, until a OTS shot of Bobby walking down the main halls, past
the stairs, then a mid-shot of him walking towards the camera (David Fincher
style) with the camera on a dolly, he fixes up his tie. He pauses as he hears
loud noises he looks around the corner and the camera does the same. Tony has
Paddy Statham up the wall and Bobby is watching in intrigue
Lisa Statham: Please honey I'm sorry!
Tony: Just get out of my face
damn it
Lisa runs off past Bobby
crying.
Tony spots Bobby and Smiles.
He’s wearing a different type of Tie to Tony.
Tony: Bobby my boy!
Bobby: Uncle Maroni!
Tony Slaps Bobby
Tony: Keep your god damn voice
low, it’s Tony here, and will be till I can secure a way out to Mexico, none of
this Maroni business, you get me?
Bobby: Yeah sure uncle…Tony
Tony: Good any questions?
Bobby: What was that about
just?
Tony: Don’t you worry your
pretty little mug about that said
whilst gently slapping his face walk
with me boy.
They walk down the corridor,
the detective walks past the shot casually but the audience don’t know it’s him
as you never see his face in the first shot
Tony and Bobby walk down the
corridor dolly camera again.
Tony: Reece, you’re new, you’re my nephew but
you’re not special, I don’t care if you’re my son, you don’t cross family
understood?
Bobby: Understood boss
Tony: I like you already.
As they walk off the camera
pans to the detective watching from the second floor balcony. A high angle shot
showing that he is superior and he has been watching
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